10 Directors Who Made the Identical Film Twice

As now we maintain journeyed beyond initial innovations in cinematography, acting, and audio/visible skills into the age of sequels and franchises, the remake has become a fundamental allotment of as much as the moment cinema. While the tradition of remaking movies is nothing new, what with English-talking audiences’ hypersensitive response to subtitles and the constant pattern of workmanship offering innumerable ways to wait on prior works, it’s no longer generally the distinctive director indicators on to make the same movie again.

Yet these rare beasts exist. Varied components attract a filmmaker again to a carried out undertaking, together with substantial paydays, bigger audiences, and producers who received’t rob no for an acknowledge. While outcomes vary, for better or worse, right here are 10 directors who made the same movie twice.

Related: 10 Franchise Movies That Necessary a Moderately a couple of Director

10 The Pang Brothers, Bangkok Dreadful (1999/2008)

The gap of subtitles could maybe also moreover be a tough one for Western moviegoers to traverse. Indeed, so reluctant and resistant are mainstream U.S. audiences to learn their movies that Hollywood has created a profitable alternate in adapting global images for the English-talking market. And whereas this generally entails an totally new manufacturing with diversified creatives, producers, actors, and crew, from time to time the distinctive ability stays on.

Such is the case for brothers Danny and Oxide Pang, whose Thai amble-thriller Bangkok Dreadful, about a deaf-nonetheless assassin on a one-man-military revenge mission, did no longer translate to out of the country audiences, despite the directors’ Tarantino-infused vogue. While the Pangs let their movie lie fallow for honest about a decade, when the Hollywood money men came calling, they jumped on the likelihood to helm the movie’s remake.

Despite the indisputable fact that the pair sought to dwell correct to their fashioned imaginative and prescient, some adjustments needed to be made. A truly mighty being that the deaf-nonetheless hitman (now conducted by A-lister Nicolas Cage) would no longer be deaf or nonetheless on epic of—of their very comprise words—”from a marketing reason, Nic needs to maintain some lines.”^[1]

9 Cecil B. DeMille, The Ten Commandments (1923/1956)

From the extinct guard of American filmmaking, Cecil B. DeMille labored with the medium by its initial quiet generation and into the talkies, from gloomy and white into shade, refining his craft alongside the industry. As skills superior, DeMille developed an curiosity in biblical and Roman subjects and produced some difficult historical epics, alongside with his first of this form—1923’s The Ten Commandments—holding the Paramount income report for a quarter of a century.

Nonetheless DeMille turn into as soon as removed from carried out. While monetary and technical limitations caused DeMille to gash up his fashioned movie into two capabilities, pairing the story of Exodus with a recent legend of two brothers, the director turn into as soon as able to point of curiosity all of his 1956 remake on Moses and the sins of Rameses II.

With money, resources, and cutting-edge innovations at his fingertips, DeMille turn into as soon as able to tag the definitive biblical epic, with chubby-shade VistaVision movie inventory, 12,000 actors, 15,000 animals, stutter of the art special effects, and Charleton Heston and Yul Brynner in the lead roles. A truly mighty element, alternatively, turn into as soon as having the ability to movie on stutter in Egypt, bringing the new version a similitude that blew audiences away.^[2]

8 Tim Burton, Frankenweenie (1984/2012)

Tim Burton’s movie occupation spans decades and has seen the self-consciously bizarre director address dwell-amble blockbusters, animations, musical capabilities, remakes, and the leisure else the studios will let him shut to. Nonetheless it completely all started with a $1-million-payment range gloomy-and-white picture called Frankenweenie

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The movie is a silly homage to Mary Shelley’s Frankenstein and follows a young boy who brings his bull terrier again from the unnecessary. Despite the indisputable fact that it turn into as soon as bankrolled by Disney, Burton had barely ample money to make a dwell-amble characteristic (despite envisioning it as animation). The Home of Mouse didn’t want the leisure to discontinue with it as soon because it turn into as soon as made, deeming it too upsetting. As a consequence, the movie turn into as soon as left in the again of—till 2012.

With ingenious carte blanche from Disney (and a $39 million payment range), Burton resurrected his undertaking in horny discontinue-amble. Nonetheless in space of being sour about no longer getting his plan in the first space, he credit the restraints on the distinctive movie with motivating him toward dwell-amble and the gig that received him his first major movie—Pee-wee’s Colossal High-tail (1985).^[3]

7 Alfred Hitchcock, The Man Who Knew Too Much (1934/1956)

Despite making basically the most renowned movies of his occupation in The united states, with American locations, American actors, and American cultural concerns, Alfred Hitchcock turn into as soon as a British director who formed his occupation in the UK. Amongst the flicks produced throughout his British period is The Man Who Knew Too Much, a learn about thriller that sees an peculiar couple become embroiled in global espionage when holidaying in Switzerland.

The movie turn into as soon as neatly-purchased and helped set the director domestically and internationally. Over the following few decades, Hitchcock in point of fact appropriate as revisiting it with extra skills and an even bigger payment range. It wasn’t till two decades later, alternatively, having become a cornerstone of the Hollywood plot, that he purchased his opportunity.

In 1956, he created a new American version of the movie for Paramount, starring James Stewart and Doris Day in the lead roles and transplanting the amble to French Morocco. Despite the movie’s initial field office success and Hitchcock’s claim that “The first version is the work of a talented newbie and the 2d turn into as soon as made by a professional,” the 2d turn into as soon as kept out of same outdated circulation till 1983.^[4]

6 Wes Anderson, Bottle Rocket (1994/1996)

Contemporary out of faculty in the early ’90s, Wes Anderson and his roommate Owen Wilson were definite to discontinue the leisure mandatory to interrupt into the movie industry. This started with the filming of Bottle Rocket, an ultra-low payment range gloomy and white movie directed by Anderson and starring Owen and his brother Luke Wilson, wherein some chums try their darndest to possess a heist.

The movie screened on the 1994 Sundance Competition, where producer Barbara Boyle sold it sooner than bringing it to legendary director-producer James L. Brooks (of the Mary Tyler Moore Ticket and Simpsons reputation), who met with the filmmakers and at last agreed to finance a longer, extra costly version.

Despite plowing ahead with their imaginative and prescient for the movie, Anderson and Wilson were met with a detrimental reception on most fronts, with take a look at screenings going terribly, Sundance refusing to display cloak the new picture, and the field office taking spherical a tenth of the cost range. Alternatively, time has been Bottle Rocket’s ally, and the movie is now fondly seemed upon as a hidden gem of Anderson’s oeuvre—and with out a doubt one of Martin Scorsese’s current movies.^[5]

5 Michael Mann, L.A. Takedown/Heat (1989/1995)

Heat is in point of fact appropriate as with out a doubt one of the most wonderful crime movies of all time, and it made history by bringing two heavyweights of the vogue—Robert De Niro and Al Pacino— together for the first time. They play master crook Neil McCauley (De Niro) and lawman Lieutenant Hanna (Pacino), who are caught in a game of cat and mouse as the gentle makes an try to possess his last heist.

Nonetheless the movie almost didn’t salvage made, and if it hadn’t been for director Michael Mann’s first version of the movie, L.A. Takedown, it will probably maybe maintain stayed that plan.

The 180-online page Heat screenplay preceded both movies and turn into as soon as written by Mann in the unhurried 1970s. He then revised it after making Thief in 1981, and after being unable to salvage it off the ground, he hurt up taking pictures L.A. Takedown in the unhurried Eighties, using an abridged version of the script.

This movie hurt up serving as the prototype for its successor and turn into as soon as ample to drum up curiosity and prove that Mann could maybe pull off an epic crime characteristic. As a consequence, he turn into as soon as able to revisit and tag the imaginative and prescient of his fashioned script—as Heat—half of a decade later.^[6]

4 Sam Raimi, The Depraved Dull/Depraved Dull II (1981/1987)

Sam Raimi’s low-payment range possession fright The Depraved Dull took audiences by surprise in the early ’80s, proving that fright will most definitely be cheap, silly, and downright sensational on the same time, whereas moreover cementing the cabin in the woods formulation. It takes a neighborhood of young, dumb college college students led by Ash Williams (Bruce Campbell) to a cabin in the woods, where an wicked e-book brings demonic spirits into their midst.

Regarded as both a remake and sequel to the distinctive movie, Depraved Dull II explored some gorgeous new territory for fright and franchise filmmaking, remaking and retreading the whole lot of the first movie. And there are two major reasons for this.

Firstly, Raimi wished to trade the prevailing movie’s fable to suit alongside with his future strategies for the franchise, retconning the ending wherein Ash died. The 2d and most significant motive, alternatively, turn into as soon as that he and his producers didn’t comprise the rights to the first movie, so they were forced to make a new version of the prevailing characteristic, confusing fans the arena over.^[7]

3 Takashi Shimizu, The Grudge (2002/2004)

One among the forerunners of J-fright, Takashi Shimizu, managed to maintain an influence on the fright landscape at house and in the U.S. as with out a doubt one of the most rare directors intriguing to stammer the Hollywood remake of his comprise movie.

The third in Shimizu’s Ju-On sequence and the first to receive a theatrical begin, The Grudge’s stutter specializes in the events surrounding a worried house, where the ghosts of a murdered household grasp-out and assault the house’s occupants. The movie turn into as soon as a hit domestically and built ample of a cult following out of the country for American producers to rob an curiosity. The first time they supplied Shimizu the gig, he refused, but after a bit persuasion from producer Sam Raimi, he reluctantly authorized.

At the helm, the Japanese director turn into as soon as able to rob ingenious control of his work for a full diversified viewers, whereas decoding the stutter and script of the distinctive for his new movie and actors. Despite clashes with producers throughout manufacturing and a disappointing reception from fans and critics, he stands by the remake as the version he feels is largely the most full and the one he is most jubilant with.^[8]

2 Hans Petter Moland, In Divulge of Disappearance/Chilly Pursuit (2014/2019)

Norwegian-language thriller In Divulge of Disappearance follows a snowplow driver (Stellan Skarsgard) who inadvertently ignites a gang battle when he seeks vengeance for the loss of life of his son. Despite this easy, acquainted belief, a serious well-known particular person blueprint in Skarsgard, and a warm reception from critics across global territories, Hollywood silent wished an English-language version from the outset.

At the movie’s Berlin premiere, Moland turn into as soon as beset by calls from studios and producers attempting to win to buy the rights. While he hadn’t on the origin in point of fact appropriate as remaking his movie as a possibility, Moland’s producer jubilant him that his tone and vogue were such an obligatory allotment of the distinctive’s success as to make him significant.

Moland conceded on the premise that if his movie had been a theater manufacturing, he would maintain had no grief striking on a manufacturing in the States, breaking down the stigma surrounding remakes. Alternatively, it took 5 years to salvage the movie—now entitled Chilly Pursuit—off the ground, despite Liam Neeson being linked to the manufacturing from the begin up.^[9]

1 Michael Haneke, Funny Video games (1997/2007)

In the decades since Funny Video games’ begin, the psychological fright has finished a pervasive notoriety, securing its legacy. The movie takes space at a center-class household’s commute house, where a pair of neatly mannered and unsuitable young men—Paul (Arno Frisch) and Peter (Frank Giering)—tumble by and run the household apart, ending in misery, bloodshed, and catastrophe.

Director Michael Haneke hoped his German-language movie would be neatly purchased in the U.S., as that is the viewers he envisioned whereas making it, reflecting on what he described as “the pornography of violence” in Western media. Unfortunately, the barrier of subtitles purchased in the vogue, and Funny Video games did no longer make a splash across the pond. Thus, when producer Chris Coen approached Haneke to make an English-language version of the movie, he authorized.

While most directors are whisper material to approach their movie with a new imaginative and prescient, Haneke turn into as soon as resolute to remake the new Funny Video games as a shot-for-shot remake with American actors. Despite these limits and controls, an totally diversified chemistry blossomed between the characters onscreen and introduced a new, dim humor to the fore.^[10]

fact checked by
Darci Heikkinen